Internal Medicine: A Doctor's Stories
Terrence Holt (Liveright, 2015)
Terrence Holt conceived of his account
of internship and residency not as a memoir, but as a series of
parables, "seeking to capture the essence of something too
complex to be understood any other way." Not only are the
patients composites of his imagination, the narrator is a
transformation of Dr. Holt. "He struggles differently from the
way I did, but in the end he learns things that it took me much
longer to figure out." This narrator is good company. He sheds
light on the uncertainty of the enterprise, both from a medical point
of view – the same few symptoms apply to so many conditions – and
on an interpersonal level: How do you keep listening to the patient
who's been labeled a whiner, or whom you just don't like?
Part of the goal of training is to
teach the young doctors how to appear confident even when they' are,
inevitably, uncertain. "During those years, I always felt that I
knew nothing. And no matter how much you did know, there was always
more you didn't. In that vast desert of ignorance always lurked that
one detail waiting to kill somebody." He's in a teaching
hospital, so he is often without the complete medical record, because
patients are being admitted by the house staff rather than their own
doctors. Much can go amiss in this process; the history may be too
complicated for the patient to remember or explain; she may be
confused, demented, in shock or unconscious.
Or she may be lying, concealing
something she's done, like the girl who swallowed a handful of
Tylenol and damaged her liver. To assume she is lying leads to a
certain cynicism that may lead directly to hardness of heart. It's
always a breakthrough when the young doctor looks up from his lab
results and sees a human being, but if they thought about that all
the time, they'd be unable to do the work. "There is so much
death and suffering and grief, and in the midst of it we still need
to fill out forms, subject the sick to indignities and pain, try to
eat and sleep and keep all these needy people at some kind of
distance."
Dr. Holt has a chapter about some of
the neediest, the patients in a mental hospital. He works a rotation
in intensive care, where matters are somewhat simplified: keep the
patients alive, with oxygen and antibiotics. (Or is it, kill them
slowly?) And he goes out on hospice calls, where the patients are on
the far side of need. But the families need something, and a doctor
actually arriving with the nurse gives them a strange sort of
comfort.
Three out of three people die, it's
been said. Surrounded by family or alone, dimmed by morphine or amid
the turmoil by a Code Blue, "in the middle of a scene with all
the dignity of a food fight in a high school cafeteria. We can't cure
everybody, but I think most of us treasure as a small consolation
that at least we can afford people some kind of dignity at the end,
something quiet and solemn in which whatever meaning resides in all
of this may be – if we watch and listen carefully – perceptible."
If we watch and listen carefully.
Here's hoping we can.
Any Good Books
August 1, 2016
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