White
Trash: The 400-Year Untold History of Class in America
Nancy
Isenberg (Viking, 2016)
There's
a long-running class war among white people in this country, which
the upper class is winning. Nancy Isenberg's White Trash
explains why it could hardly be otherwise. Generation after
generation, the class of people with property, education, and money
ascribe undesirable traits to the class without, as though they
somehow deserve to be dirty, uneducated, and landless. This war tends
to be underground, or invisible; or perhaps it's hiding in plain
sight.
From
the days of the Jamestown and Plymouth settlements, America was seen
as a place to send people England considered expendible. Paupers,
orphans, and petty criminals were sent to these shores, usually in
indentured servitude, so that a householder would be responsible for
them. Indebtedness could become a legacy, and many such immigrants
had no other. Especially in Virginia, a few wealthy men claimed all
the good land, leaving swampland or the rocky hills for those who had
no legal claim.
This
was still true after the colonies became the United States. "Both
crackers and squatters–two terms that became shorthand for landless
migrant–supposedly stayed just one step ahead of the 'real' farmers,
Jefferson's idealized, commercially oriented cultivators. They lived
off the grid, rarely attended school or joined a church, and remained
a potent symbol of poverty. To be lower class was to be one of the
landless." These were the people who were so cut off from state
governments that, when the southern states left the nation, they tried to
leave the states - in the case of West Virginia, actually succeeding.
After
the Civil War, Freedman's Bureaus brought federal help to refugees
both white and black, but "[I]n the race for self-reliance, poor
whites seemed to many bureau agents never to have left the starting
gate." The moneyed interests in the southern states had not seen
fit to provide an education for their poor neighbors, preferring to
keep them desperate and indentured as share-croppers, an attitude
that has not entirely disappeared. The unstable equilibrium between
pity and censure usually leaned toward the latter: there must be
something wrong with people so backward. Was it genetic? In some places, the proposed
solutions included sterilization of women at the behest of the state.
The
Great Depression opened the way for a renewed Federal effort at helping the
rural poor; electricity and sanitation were definite improvements,
while some housing projects were public catastrophes. Photographers
and sociologists roamed the South, gawking at the crackers and
rednecks, who understandably bridled at the resulting portrayals.
Isenberg
covers the past fifty years by way of some of the cultural and
political figures you may remember. We meet the Joads, the migratory clan from The Grapes of Wrath, and Robert E. Lee Ewell, the scrawny, brutish villain in To Kill A Mockingbird, who lives behind the town dump "in an old Negro cabin." There was a vogue in the 1960s for comedy about rural whites, exemplified by Green Acres and The Beverly Hillbillies; later, The Dukes of Hazard glorified moonshining and the Confederate flag.
Country singer Dolly Parton played the part of the redneck made good. "Her image, as Parton confessed in her autobiography, expressed the desire of poor white trash girls to see themselves as magazine models." Evangelist Tammy Faye Bakker, though she came from Minnesota, captured the same hyper-feminine image in her Pentecostal television ministry, which she and her husband Jim produced in North Carolina. They enjoyed lavish wealth, while fund-raising almost continuously. "The people whom the Praise the Lord Ministry conned were mainly poor whites; the majority of the program's viewers were born-again, with less than a high school education, and were most pitifully, unemployed."
Country singer Dolly Parton played the part of the redneck made good. "Her image, as Parton confessed in her autobiography, expressed the desire of poor white trash girls to see themselves as magazine models." Evangelist Tammy Faye Bakker, though she came from Minnesota, captured the same hyper-feminine image in her Pentecostal television ministry, which she and her husband Jim produced in North Carolina. They enjoyed lavish wealth, while fund-raising almost continuously. "The people whom the Praise the Lord Ministry conned were mainly poor whites; the majority of the program's viewers were born-again, with less than a high school education, and were most pitifully, unemployed."
White
Trash is a serious, comprehensive history, seemingly distilling a
book into each paragraph. The primary conclusion seems to be that we
always have the poor with us. It's essential to be aware of the
history, though, because people don't deserve to be invisible.
Knowing what has happened before lets us see how it's happening now,
and how far we fall short of our democratic ideals. We may not be
able to cure poverty, but there's no good reason to be blind to it.
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