Sunday, June 30, 2024

Chances Are

Chances Are

Richard Russo (2019, Vintage Contemporaries)

      Three old friends meet for a fall weekend at Chilmark, on Martha’s Vineyard, where one of them has a house his mother used to own. It’s 2015; they are sixty-six years old, and have led very different lives. Lincoln, whose house it is, deals in commercial real estate, out in Arizona; Teddy runs a boutique academic publishing house; and Mickey is an old rock and roller.

      The three men are also indulging, individually and severally, in a bit of time travel. Specifically, they are thinking about the weekend they spent there in 1971, shortly after graduation. They’d been roommates since freshman year, and had worked together as scholarship boys at Minerva College; much of their social lives revolved around the sorority house where Lincoln and Teddy waited tables, and Mickey washed pots. That weekend, before going their separate ways, they had another friend along, a girl from the sorority house.

      Jacy was from nearby Greenwich, which set her a few rungs above the ‘hashers’ on the social ladder. All three were a little in love with her, but she was engaged to a law student from back home. The plan, as her fiancé would have it, was that they’d settle down in their home town and raise another generation in easy privilege. In the event, though, she left the island at the end of the weekend and went completely off the grid–which, if you had sufficient ready cash, was much easier to do in 1971 than it would be now.

       The sixty-six-year-old Lincoln is back on the Vineyard to see about the house, and make a decision about whether to keep it or sell it. (There’s a minor narrative hitch here: you don’t keep a house in a place like that without checking on it in person at least occasionally, which neither Lincoln nor his mother seem to have been doing. But no matter.) He’s also still curious about what happened to Jacy after she left the house that early morning forty-four years before.

      I’ll spoil the story this far: Richard Russo is not the kind of writer who would turn an alumni weekend into a police procedural. If there were a body to be found on the island, it would have turned up long since. Lincoln does have some substantial chats with the retired police chief, which, of course, he wouldn’t be doing if he had anything to do with Jacy’s disappearance. Teddy and Mickey have memories and stories of their own, and they all end the weekend with new possibilities in their lives.

      There’s an underlying theme here about determinism, which Russo handles masterfully. In what ways are we always who we were born to be, and where does chance intervene? Some things are honestly random, like the 1970 draft lottery. Other aspects of our lives may come directly from the egg, like Teddy’s pacifism, which would only be magnified when he got injured at high school basketball practice; a coach encouraged rough contact because he thought Teddy was too timid. Or perhaps it was because he actually was too timid to deck the bully the first time he got tripped. “Squinted at in this fashion...human destiny was both complex (it had a lot of moving parts) and simple (in the end, you were who you were.)”

      Lincoln is who he is; like his mother, he’s never actually won an argument with his father, simply because the old man never, ever admits that he has lost. But his mother stealthily had her influence; sending Lincoln East to Minerva was her idea, as was keeping the Chilmark property. “When his mother died, he thought maybe that would put an end to the struggle, but no. Though she might be dead and buried, she continued at odd moments to plead her posthumous case, especially here on the island, the place she’d loved most.”

      You’re always in good hands with Richard Russo. This strikes me as a fine book to take to the island, wherever yours is. Here’s wishing you a comfortable chair and a cool drink.

Sunday, June 2, 2024

Bowlaway: a novel

 Bowlaway: a novel

Elizabeth McCracken (2019, Harper Collins)


“They found a body in the Salford Cemetery, but aboveground and alive.” How’s that for an opener! “A body,” because Bertha Truitt was unconscious, lying in the frozen-over early spring grass, with no footsteps to show how she got there. The year is 1900, or thereabouts. Bertha’s of an indeterminate, middling age, and has nothing whatever to say about her past. The bag she has with her adds to the oddity, containing as it does a small wooden ball and a narrow wooden object, which turn out to be a candlepin: she’s going to bring the town a new sport. In short order, she builds a bowling alley, with a cellar below and an apartment above.


Truitt’s Alleys welcomes all comers, and Bertha attracts a claque of women bowlers. It would be scandalous not to at least conceal them with some kind of curtain, except that Bertha Truitt won’t think of such a thing. Let them ogle, let them gawk, if they will–her sublime unconcern sets them at naught. Joe Wear, the cemetery watchman who discovered her, becomes the manager of the lanes; Dr. Leviticus Sprague, the doctor who was there when she came to, becomes her husband. He’s a black man–Bertha’s unconcerned about that, too–with relatives on a farm Down East who are waiting for him to come to his senses and come home.


Elizabeth McCracken gives us the whole of the twentieth century in the history of this modest bowling alley. It survives Bertha’s death in one true-but-unlikely misadventure, and Dr. Sprague’s death in another; it survives the Depression, by being the cheapest entertainment in town. Nahum Truitt, her son (can it be so?) comes down out of Maine to take over; he marries, and raises two sons to carry on a while longer. A neon sign goes up; pinball machines are installed; the human pinsetters are replaced by automation; the seasons turn.


McCracken has a distinctive gift for strangeness, both in language and in narrative. The story of Truitt’s lanes, or of candlepin bowling itself, is a story of genealogy, and of love. “Maybe somebody else had invented the game first. That doesn’t matter. We have all of us invented things that others have beat us to: walking upright, a certain sort of sandwich involving avocado and an onion roll, a minty sweet cocktail, ourselves, romantic love, human life.” That crescendo from sandwich to human life is comic, in its way; it’s also profoundly true, if you’re in the mood to let fiction can get past your defenses.

For dessert: I listened to WBUR’s Only a Game religiously for the entire 27-year run of the show, and still miss it, of a Saturday morning. In 1994, in the shadow of the Ken Burns Baseball documentary series, Only a Game had a crack at New England’s own candlepin bowling, in about as many minutes as Burns needed hours. Enjoy– 

https://www.wbur.org/onlyagame/2018/07/27/candlepin-bowling-ken-burns